Christine McPherson's (Saoirse Ronan's) senior year of high school in 2002/03 is presented, she the second of two children of Larry (Tracy Letts) and Marion McPherson (Laurie Metcalf). Outwardly, she hates most aspects of her life. She hates that they have long lived a life of barely scraping by, their situation all the worse now as they as a collective are a victim of the poor economy. That economic reality has led to Larry recently being laid off, Marion needing to work double shifts as a counselor at a psychiatric hospital just to keep their heads above water, and Christine's brother Miguel (Jordan Rodrigues) and his girlfriend Shelly Yuhan (Marielle Scott) moving back home in the McPhersons' small and already overcrowded house with one bathroom now for five people. She hates that what her parents have decided to spend on her within their already tight budget is an expensive Catholic private school education at Immaculate Heart, solely because Miguel witnessed long ago some violence outside Sacramento High School, where she would have gone otherwise. At Immaculate Heart, she has only two friends, equally poor Julie Steffans (Beanie Feldstein), they playing upon their outsider status. She hates living in Sacramento, she who is determined to go to a liberal arts college back east, preferably New York City, using financial aid rather than go to a California college such as nearby UC Davis, for which she would eligible for an in-state reduction in tuition, that option already barely affordable. Whether she will even get into college is questionable as she has placed little effort into her school work despite being bright, except perhaps in math. But arguably what she hates the most is her strained relationship with her mother, Marion who is always bad cop to Larry's good cop in the parenting role. Marion and Christine's strained relationship is exacerbated by both being strong willed people. Christine believes that her mother may love her because she has to, but truly doesn't like her. In not wanting to take things from her mother out of a natural course of family, Christine has decided to rename herself "Lady Bird", something she wants everyone to call her from now on. As Lady Bird goes through some major events her senior year - from discovering a new school extracurricular activity which includes boys from neighboring St. Francis Xavier, to testing the waters of dating, possible first love, and the prospect of sex, to wanting to be part of the in-crowd, to truly placing some effort into her short term post-secondary dreams - she and Marion may only have a short period of time to express their true love for each other, family or not, before it's too late. star=Tracy Letts. Writer=Greta Gerwig. Duration=1 h 34 m. Year=2017. 7,7 of 10
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I'm officially starting a petition to ask for a TED with Mia Hansen-Løve and Richard Linklater, both to talk about how to make great coming-of-age films, and I want Greta Gerwig to sit on the front row so maybe she could learn something from them instead of Noah Baumbach, from whom she seemed to get all the wrong things about the subject: a completely naive understanding of generations gap; characters are written as goofy caricatures (are you all serious that none of you got bothered with that "uglier-fatter-loser-best friend" trope? At least in Super Bad Jonah Hill got Emma Stone) a script that struggles to deliver lines that feel truthful; and it constantly confuses honesty with superficiality. Nothing really resonate, nothing really cuts deep. It ends up feeling generic and the same old cute-indie-vibe wannabe we've seen so many times before (and got so annoying these days.
Saoirse Ronan is definitely destined to greatness. I don't think it's the case for Greta Gerwig behind the cameras.
The hypes of award season are such a strange thing.
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